LensWork No. 67. November - December 2006.

Includes: Eugene H. Johnson (interview and portfolio); Eirik Holmoyvik (Norwegian fjords); Diane Mastin Kirkland (Georgia Woods); Mehmet Ozgur (Smoke Abstractions); EndNotes by Bill Jay on how much photographers should charge for a print and summary of interview with Greg McGregor.  Very good with a few words written inside front cover. Does not include CD with holiday catalog. 96 pages. Summary:

• nality behind his imagery.

• Eirik Holmøyvik – Norwegian Fjords: A collection of stark, majestic landscapes from Norway, capturing the dramatic scale and quiet power of the glacial inlets.

• Diane Mastin Kirkland – Georgia Woods: A more intimate, terrestrial study that explores the textures and "spirit of place" within the forests of the American South.

• Mehmet Özgür – Smoke Abstractions: A standout series featuring surreal, ethereal images created by manipulating smoke. Özgür’s work pushes the boundaries of photography into the realm of digital "smoke-scapes" that mimic landscapes and figures.

Editorial & Commentary

• Greg McGregor (Interview Summary): A condensed look at the insights of Greg McGregor, discussing his approach to photography and the medium's role in documenting the world.

• Bill Jay – EndNotes: The late, legendary critic Bill Jay provides a characteristically sharp and practical column. In this issue, he tackles the perennially awkward question: "How much should a photographer charge for a print?"while offering his signature wit on the realities of the art market.

Aesthetic Philosophy

True to the LensWork ethos, this issue serves as a masterclass in visual storytelling, focusing on the "why" of photography rather than just the "how." It remains a favorite for its balance of traditional landscape and innovative abstract forms.