Infinity (Journal of the American Society of Magazine Photographers), June 1969. Vol. 18, No. 6. Featuring Japanese photographs.

This issue features Japanese photographers. Portfolio on Hiro, Photographer of the Year; portfolio on Yoichi Okamoto, a special citation; also visit with Ben Rose; ASMP Symposium on photographers in TV and Film. VG- with rubbing, crease on cover. Summary:

The June issue of Infinity, the monthly journal published by the American Society of Magazine Photographers (ASMP), serves as a vital archival record honoring top commercial and documentary photojournalists. Edited by Charles Reynolds, this specific volume places a major focus on celebrated Japanese and Japanese-American talent.

The issue outlines several prominent industry showcases, portfolios, and professional discussions:

• Hiro Named Photographer of the Year: The centerpiece of the issue is a dedicated feature and cover portfolio highlighting the groundbreaking work of fashion icon Hiro (Yasuhiro Wakabayashi). Having been named the ASMP Photographer of the Year, Hiro’s bold, high-contrast, and surreal minimalist compositions dominate the visual narrative of the volume.

• Yoichi Okamoto Portfolio: The issue features an extensive portfolio by Japanese-American photographer Yoichi Okamoto, who received a special institutional citation. Okamoto was widely celebrated for his unprecedented, intimate access as the official White House photographer for President Lyndon B. Johnson, redefining modern political documentary photography.

• A Visit with Ben Rose: Written by Barrett Gallagher, this profile provides an insider look at the studio and innovative methodology of prominent commercial photographer Ben Rose, known for his early, highly technical experimentation with strobe lights and motorized camera setups.

• The ASMP Symposium on Media: The volume archives a critical contemporary panel discussion addressing the shifting landscapes of the profession. The symposium explores the expanding roles, financial realities, and creative challenges facing traditional magazine photographers as they transitioned into the rapidly growing fields of television and filmmaking.