Contemporary Photographer. Volume V, No. 4, 1966. Marie Cosindas, Jerry Uelsman, Robert Heinecken, et al.

Includes photography by Marie Cosindas (mostly still life and portraits) and Warren Hill (urban landscapes including inserted female nudes), and texts by Ralph Hattersley, Beaumont Newhall, Nicholas Dean, John Schulze, Grace M. Mayer, Jerry Uelsmann, Robert Heinecken, et al. Reading copy with closed tears and light stains on cover, large chip in margin of Hattersley article, lacks table of contents page (unpaginated so not possible for me to verify that all pages are present, although all contributors listed at back are included). Illustrations are fine. Scarce in any condition. Summary:

Contemporary Photographer (Volume V, No. 4, 1966), edited by Nicholas Dean and published during a period of intense experimentation in American fine art photography, is a key issue of the influential quarterly journal that documented mid-century avant-garde photographic practices.

Key Summary & Highlights

• Pioneers of Fine Art & Alternative Processes: The issue brings together a lineup of major mid-20th-century photographers who were actively expanding the boundaries of the medium beyond traditional straight documentary photography.

• Marie Cosindas: Features her pioneering fine art Polaroid work, showcasing her painterly approach to color, lighting, and still life portraiture using instant Polacolor film.

• Jerry Uelsmann: Highlights his early composite photography and multiple-exposure darkroom technique ("combination printing"), exploring surrealist motifs, symbolism, and psychological landscapes.

• Robert Heinecken: Showcases his radical photograms, collage, and photo-based mixed media, representing his early efforts to deconstruct consumer culture, mass media imagery, and traditional photographic printmaking.

• Urban & Environmental Landscapes: Includes additional portfolios and commentary—such as urban landscape studies by Warren Hill—further reflecting the journal's commitment to showcasing emerging voices and formal diversity in modern photography.