Bourke-White, Margaret. Bourke-White by Vicki Goldberg.

United Technologies, 1988. Issued without dust jacket, black cloth with sepia-toned photo of Bourke-White on cover. 120 pages, excellent quality reproductions. Near fine with a few small rubbing marks on cover. Not issued with dust jacket. Catalog for traveling exhibit. Not issued with ISBN number. Summary:

Bourke-White (also published as Bourke-White: A Retrospective) is an exhibition catalogue authored by photography critic and historian Vicki Goldberg and published by United Technologies Corporation. The monograph was produced in conjunction with the major traveling retrospective organized by the International Center of Photography (ICP) in New York.

Overview & Highlights

• Corporate & Institutional Collaboration: Sponsored and published by United Technologies Corporation to accompany the national tour of ICP's retrospective across multiple cities.

• Critical Text: Features commentary and biographical insights by Vicki Goldberg, drawing from her extensive research on Bourke-White's complex personal life, technical innovations, and trailblazing career in photojournalism.

• Visual Scope: Contains high-quality photographic plates (including black-and-white, tri-toned, and select color reproductions) spanning her full body of work.

• Key Content: Covers her early modernist industrial studies of steel mills, her iconic architectural photographs of the Chrysler Building, wartime documentation across Nazi Europe and the Soviet Union, and her landmark photo-essays for Fortune and LIFE magazines.

Margaret Bourke-White (1904–1971) was an American photographer and photojournalist who broke numerous barriers as a woman in 20th-century media. Beginning her career in the late 1920s as an industrial photographer in Cleveland, her dynamic compositions of steel mills and modern architecture quickly earned her acclaim. She became the first staff photographer hired for Fortune magazine in 1929 and, in 1936, shot the cover photo for the inaugural issue of LIFE magazine. Over her trailblazing career, Bourke-White served as the first foreign photographer permitted to photograph Soviet industry, the first female war correspondent accredited by the U.S. armed forces during World War II, and a chronicler of major global events, including the liberation of the Buchenwald concentration camp and the partition of India. Known for her fearless determination and empathetic eye, her visual reporting helped establish photojournalism as a major cultural force until Parkinson's disease forced her retirement in the late 1950s.