Subjective Vision. The Lucinda W. Bunnen Collection of Photographs, High Museum of Art. Signed.

Edited by Kelly Morris. Introduction by A.D. Coleman. High Museum of Art, 1983. Wraps, 63 pages, Includes listing of holdings with biographical information. Photographers: Clarence John Laughlin; Chuck Close; Judy Dater; Rita DeWitt; William Eggleston; Mario Giacomelli; Laura Gilpin; Jerry Gordon; Emmet Gowin; Richard Scott Hill; Kenneth Josephson; Leah Jaynes Karp; Josef Koudelka; William G. Larsen; Stephen Livick; Ralph Eugene Meatyard; Ray Metzker; Duane Michals; Lisette Model; Lucas Samaras; Cindy Sherman; Laurie Simmons; W. Eugene Smith; Virginia Warren Smith; Joel Sternfeld; Robert B. Stewart; Evon Streetman; Martin Stupich; Elizabeth Turk; Arthur Tress; William Wegman. Very good with a few small indentations on rear cover, otherwise near fine. SIGNED by A.D. Coleman.  Summary:

Subjective Vision: The Lucinda W. Bunnen Collection of Photographs is a prominent exhibition catalog that serves as a comprehensive record of a foundational contemporary photography donation, which established a major institutional photography program.

Key Elements of the Work

• The Scale and Holdings: The publication catalogs an institutional collection of 72 significant photographic works. It features illustrations alongside critical text, biographical data, and exhibition histories for a diverse group of 31 celebrated historical and contemporary photographers.

• The Visual Roster: The catalog brings together an expansive cross-section of globally recognized 20th-century photographic innovators. Featured masters include Clarence John Laughlin, William Eggleston, Cindy Sherman, Duane Michals, W. Eugene Smith, Ray Metzker, Chuck Close, and Lucas Samaras.

• Textual and Critical Analyses: The volume features introductory texts, acknowledgments, and critical essays written by museum administrators and prominent photographic historians, providing a rigorous analytical framework for the collection.

Narrative Intent

The title Subjective Vision highlights the core collecting philosophy driving the compilation: celebrating the photographer as an autonomous fine artist rather than a passive documentary observer. By presenting regional artists alongside international visionaries, the catalog maps the evolution of mid-to-late 20th-century photography, highlighting a collective shift toward experimental, color, and deeply internalized visual perspectives.