Stieglitz, Alfred. Alfred Stieglitz and An American Place, 1929-1946. May 2 - June 3, 1978.

Zabriski Gallery, New York. Staple-bound exhibition catalog with six illustrations by Stieglitz, essay by Doris Bry, and check list with 66 photographs and paintings shown at Stieglitz' gallery, An American Place, in New York. Fine, scarce in this condition.  Summary:

Alfred Stieglitz and An American Place, 1929–1946 (1978) is a specialized exhibition catalog published by the Zabriskie Gallery in New York to document a historic survey held from May 2 to June 3, 1978. The publication serves as a concise scholarly and commercial record honoring the final gallery space championed by Alfred Stieglitz during the latter half of his life.

Key Elements of the Work

• The Institutional Portrait: The catalog focuses entirely on the legacy of "An American Place," the minimalist, high-rise gallery at 509 Madison Avenue that Stieglitz operated from 1929 until his death in 1946. It documents the space not just as a showroom, but as a spiritual laboratory for indigenous American modernism during the Great Depression and World War II.

• The Core Artists: The volume features a comprehensive checklist of paintings, drawings, and photographs from the tight-knit circle of vanguard American artists Stieglitz fiercely promoted. This group—often referred to as the "Seven Americans"—includes Georgia O'Keeffe, John Marin, Arthur Dove, Marsden Hartley, and Charles Demuth, alongside photographers Paul Strand and Eliot Porter.

• Late-Career Photographic Record: The publication preserves a record of Stieglitz’s own final, mature photographic output. This includes his stark, geometric series of the changing midtown Manhattan skyline viewed directly from the windows of An American Place, as well as his late-career nature and cloud studies.

Narrative Intent

The catalog functions as a historical tribute to Stieglitz’s final stand against the commercialization of the art world. By archiving the creative output of An American Place, the Zabriskie Gallery highlighted how Stieglitz successfully nurtured a distinctly American modern art movement, providing a sanctuary where American painters and photographers could express a deeply localized, subjective vision of the world.