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Gary Saretzky Photo Books

Rumph, Charles. Charles Rumph: Chambers. July 26-September 7, 1980.

Rumph, Charles. Charles Rumph: Chambers. July 26-September 7, 1980.

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The Phillips Collection, Washington, D.C., 1980.  Exhibit catalog, illustrated stapled wraps, 17 pages, 11 black-and-white plates of details taken in building interiors, checklist of 73 works, chronology of photographer's life. Essay by David Tannous on Rumph's connections to the formalist tradition in photography exemplified by Edward Weston. Edition of 1,500 copies printed by Meriden Gravure. [Rumpf began his career as a musician and rodeo performer, then after getting a law degree, served as Deputy Attorney General, State of California. His photographic career began in the 1970s and after winning prestigious awards, he established his own photography business in 1978, specializing in photography of art and architecture, and lecturing on photography. ] Very good with small abrasion spot near edge of front cover, otherwise fine.  Summary:

Here is the revised, concise summary of the exhibit catalog:

Charles Rumph: Chambers documents the first major museum exhibition for photographer Charles Rumph, held at The Phillips Collection from July 26 to September 7, 1980.

Core Focus and Artworks

The catalog features a checklist of 73 abstract black-and-white photographs that showcase Rumph’s early-career focus on architectural abstractions. The imagery captures tightly framed, formalist details of building interiors and structural elements.

Critical Essay and Themes

It includes a central essay by art critic David Tannous, which explores Rumph’s place within the formalist tradition of photography. Tannous analyzes how Rumph uses close-ups and dramatic lighting to transform everyday architectural "chambers" into striking geometric abstractions.

Artistic Influences

The text connects Rumph’s artistic vision to the modernists championed by museum founder Duncan Phillips. Specifically, it draws thematic links to the stark, organic abstractions of Georgia O'Keeffe and Alfred Stieglitz’s circle.

Publication Format

A modest, 17-page stapled pamphlet, the catalog features 11 black-and-white plates of interior architectural details, an exhibition checklist, and a detailed chronology of the artist’s life. It charts his unique trajectory from a big-band conductor and IRS lawyer to a fine-art photographer.

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