Photography 64 / An International Exhibition. Edited by Nathan Lyons.

An Exhibition Cosponsored by the New York State Exposition and the George Eastman House. George Eastman House, 1964. [Includes Ansel Adams, Eugene Atget, Werner Bischof, Bill Brandt, Wynn Bullock, Harry Callahan, Robert Capa, Henri Cartier-Bresson, Walker Evans, Robert Frank, Ernst Haas, Lewis W. Hine, Dorothea Lange, Man Ray, Laszlo Moholy-Nagy, Irving Penn, Aaron Siskind, W. Eugene Smith, Frederick Sommer, Edward Steichen, Alfred Stieglitz, Paul Strand, Brett Weston, Edward Weston, Minor White.] Very good with some foxing on edges of a few pages,  including title page (see photo), otherwise no defects, wraps, as issued. Summary:

Photography 64: An International Exhibition is a seminal exhibition catalog edited by influential photographer, curator, and educator Nathan Lyons. Published in 1964 by the George Eastman House (now the George Eastman Museum) in Rochester, New York, the book serves as a vital historical record of a groundbreaking exhibition.

Core Focus & Curation

• A Global Survey: The publication and corresponding exhibition aimed to capture the contemporary state of photography on an international scale during the early 1960s.

• Focus on Emerging Talent: Rather than relying solely on established masters, Lyons deliberately highlighted a younger, rising generation of photographers. The exhibition featured 265 prints by 115 photographers from across the globe.

• Diverse Styles: The catalog showcases a pivotal moment of transition in the medium, bridging the gap between traditional documentary photojournalism and more subjective, abstract, and experimental fine-art photography.

Nathan Lyons’ Vision

As the editor and curator, Lyons used Photography 64 to challenge conventional boundaries. He was a champion of treating photography as an autonomous, serious art form rather than a mere tool for reproduction or journalism. His curation emphasized the unique "visual language" of the photographer, encouraging viewers to look at the sequence and juxtaposition of images to find deeper meaning.

Key Signatures & Legacy

• Along with Lyons' subsequent exhibitions (like Toward a Social Landscape in 1966), Photography 64 helped shift the institutional paradigm, cementing the George Eastman House as an avant-garde epicenter for photographic theory and curation.

In summary: Photography 64 is a landmark catalog that successfully captured a generational changing of the guard, establishing a raw, subjective, and modern photographic vocabulary that influenced the trajectory of contemporary art for decades.