Scott, Jefferey. Visions from Within the Mechanism: the Industrial Surrealism of Jeffery Scott (1019).

Baby Tattoo Books, 2009.  2nd printing in French wraps, near fine with minor shelf wear. Scott's rather bizarre photographs of men and women, often nude or partially so, and strangely distorted and often in erotic fantastical environments.  For mature audiences.  The models are identified in the captions.

Jeffery Scott (working under the moniker 1019) is an American fine-art photographer, digital compositor, and visual artist known for his dark industrial surrealism, hyper-realistic photo manipulation, and mechanical-organic themes. Based in Los Angeles, Scott spent two decades working across painting, sculpting, and production design for motion pictures, music videos, and commercials before committing exclusively to photography in 2002. Operating under a highly laborious digital technique that often requires upwards of fifty hours per piece, he meticulously merges dozens of separate photographs to construct complex, dystopian compositions that explore human-machine integration, surreal characters, and dark aesthetic philosophies. His art features prominently across conceptual art projects, music industry visuals, commercial branding, and dark art publications, including monographs such as Visions from Within the Mechanism and Existence Within the Mechanism. Through a distinct balance of high-contrast lighting, digital retouching, and narrative symbolism, Scott (1019) has established a recognized niche in contemporary fine-art digital compositing and industrial fantasy.

 Visions from Within the Mechanism: The Industrial Surrealism of Jeffery Scott (2007) is a monograph published by Baby Tattoo Books that showcases the photographic and digital art of Los Angeles-based artist Jeffery Scott (also known as "1019"). Drawing from a 20-year background in production design for music videos and motion pictures, Scott constructs hyper-realistic, dark-fantasy worlds through a painstaking compositing process averaging fifty hours per image, stitching together dozens of separate photographs. The collection explores themes of bio-mechanical hybridity, dark eroticism, and industrial decay, frequently placing the human form—often in nude or partially nude states—among metallic armatures, rusted machinery, and glowing, cinematic environments. By pairing cold, mechanical structures with soft flesh and thought-provoking titles, the monograph serves as a seminal presentation of Scott's signature "Industrial Surrealism," blurring the boundaries between human anatomy, technology, and Gothic horror.