Graphis 298. Photography. Volume 51. July/August 1995.

Very good with a bit of wear at corners of covers.  Features: Lillian Bassman, Sarah Moon, Lord Snowdon, CornellCapa, Eric Michelson, Barbara Bordnick, and Kenji Toma. Includes a few male and female nudes. Suitable for adult readers. Text in English with German and French versions in the back. 146 pages. Summary:

Graphis 298: Photography Annual Special

Volume 51 | July/August 1995

This issue of Graphis serves as a high-caliber retrospective and contemporary showcase of influential photographers, spanning the worlds of high fashion, photojournalism, and fine art. By 1995, the industry was at a crossroads between traditional film mastery and the digital horizon, a shift reflected in the diverse styles presented here.

Key Features and Portfolios

• Lillian Bassman: A legendary figure of mid-century elegance, Bassman is celebrated for her high-contrast, painterly fashion photography that broke the rigid molds of the 1940s and 50s.

• Sarah Moon: Known for her dreamlike, impressionistic aesthetic, Moon’s work in this volume emphasizes her unique ability to blur the lines between commercial fashion and surrealist art.

• Lord Snowdon: The issue highlights Snowdon’s sharp, insightful portraiture, capturing the essence of cultural icons with his signature blend of intimacy and formal precision.

• Cornell Capa: A focus on "Concerned Photography," highlighting Capa’s lifelong dedication to images that document the human condition and social justice.

• Kenji Toma: Showcases his meticulous, ultra-clean approach to still-life photography, where objects are treated with a sculptural, almost architectural reverence.

• Eric Michelson & Barbara Bordnick: These portfolios lean into the study of the human form, featuring both male and female nudes that explore texture, shadow, and the physicality of the body.

Aesthetic Focus

The volume is characterized by its narrative depth. Rather than focusing solely on technical specifications, Graphis 298 explores the intent behind the lens. The inclusion of nudes is handled through a fine-art lens, focusing on the interplay of light and anatomy rather than mere provocation.

Summary Note: This issue remains a quintessential reference for the 1990s aesthetic, bridging the gap between the classic "Golden Age" photographers and the avant-garde stylists of the late 20th century.