Barboza, Anthony, et al. International Exhibition of Photography & Related Visual Arts edited by Du-Cheng Chen.

National Taiwan Art Education Institute, 1997. Ex-library, stiff French wraps, as issued.  Catalog of exhibition, Chung Cheng Gallery, Oct. 18-Nov. 23, 1997. Almost very good with usual library evidence.  No copies found for sale on Internet.  Ten copies found in libraries worldwide. Chinese title: Guo ji shi jue yi xiang she ying da. zhan. Photographers with portfolios:  Anthony Barboza, who began his career with the Kamoinge Workshop; Bill Silano; Lynn Davis; Lois Greenfield (photos of dancers); Mario Cresci; Yasuomi Hashi; Ko, Si-Chi; Chuang, Ming-Chin; and Fred Chung. Includes photos of each of the photographers and biographical information. 241 pages.  Scarce. Not issued with ISBN number.  Summary:

The International Exhibition of Photography & Related Visual Arts (1997) is a significant exhibition catalog that documents a large-scale cultural exchange hosted by the National Taiwan Art Education Institute. Published during a pivotal era for Taiwanese contemporary art, the book serves as a global survey of the intersection between traditional photography and emerging multimedia practices.

Core Focus and Scope

1. The Intersection of Media

Edited by Du-Cheng Chen, the volume highlights the shift from "pure" photography to "Related Visual Arts." This inclusion signifies the late-90s trend where photography began merging with:

• Digital manipulation and early computer-generated imagery.

• Mixed-media installations.

• Conceptual art that used the camera as a secondary tool rather than the primary focus.

2. Global vs. Local Dialogue

The exhibition curated works from international artists alongside prominent Taiwanese photographers. This dialogue was intended to:

• Showcase Taiwan’s growing influence in the international art scene.

• Compare Western aesthetic traditions with Eastern philosophical approaches to "the image."

• Foster educational growth for art students and professionals in Taiwan.

3. Institutional Role

As a publication by the National Taiwan Art Education Institute, the book emphasizes the pedagogical value of the arts. It isn't just a collection of pretty pictures; it includes critical essays and artist statements designed to explain the "why" behind modern visual compositions, serving as a textbook for the next generation of Taiwanese creators.

Visual and Professional Themes

• Diverse Genres: The catalog spans a wide array of styles, from traditional black-and-white documentary and landscape photography to avant-garde, abstract experiments.

• Technological Transition: Published in 1997, the book captures the medium at a crossroads—just as digital photography was beginning to challenge the dominance of film.

• Cultural Preservation and Innovation: Many entries reflect the tension between preserving cultural identity and embracing the rapid globalization of the late 20th century.

Key Takeaway

This volume is a historical snapshot of the global photography scene in the late 1990s. It is particularly valuable for its record of how Taiwan sought to integrate its local artistic voice into the broader international discourse of visual arts, moving the medium of photography toward a more multidisciplinary future.