Davidson, Bruce. "One Man Show: Bruce Davidson," in Leica Photography, Volume 12, Number 1, 1959.

Article on Davidson, pages 4-9, with 8 photographs, including The Widow of Montmartre, Errol Flynn, Leonard Bernstein, Welsh children, et al.). [At 24, Davidson was the newest member of Magnum, the photographers' cooperative agency, at the time of this publication. He went on to a very distinguished career with many books and other publications.] Entire issue, 31 pages. Other articles include photographs of the United Nations in session by Y. Ernest Satow. Near very good with small scuff and short creases on cover. Summary:

Leica Photography (Volume 12, Number 1, 1959) is a notable issue of the official periodical published by E. Leitz, Inc., highlighting emerging mid-century photojournalists and practical technique for 35mm rangefinder photographers.

Key Contents & Features

• "One Man Show: Bruce Davidson": The centerpiece of the issue is a 6-page profile (pages 4–9) showcasing eight photographs by 24-year-old Bruce Davidson, who was highlighted as the newest member of Magnum Photos. The portfolio features notable early works, including The Widow of Montmartre, portraits of Errol Flynn and Leonard Bernstein, and street scenes of Welsh children.

• Humanistic Reportage & 35mm Aesthetics: The feature emphasizes Davidson’s personal, intimate approach to documentary photography and his mastery of the Leica rangefinder's mobility and unobtrusive nature for candid photojournalism.

• United Nations Feature by Y. Ernest Satow: Beyond the Davidson portfolio, the issue includes a photographic reportage piece by Y. Ernest Satow documenting the United Nations in session, demonstrating low-light interior technique and diplomatic coverage.

• Technical Articles & Equipment Guidance: Typical for the publication, the remaining pages offer camera maintenance tips, optical advice, darkroom techniques, and news regarding Leica equipment and accessories.

Bruce Davidson (born 1933) is a renowned American documentary photographer whose immersive, humanistic photo-essays profoundly chronicled urban subcultures and social transformation over a career spanning six decades. Born in Oak Park, Illinois, he studied photography at the Rochester Institute of Technology and Yale University before serving in the U.S. Army in Paris, where a pivotal meeting with Henri Cartier-Bresson helped lead to his joining the Magnum Photos cooperative in 1958. Davidson gained early acclaim for poignant series such as Brooklyn Gang and The Circus, and in 1962 received a Guggenheim Fellowship to document the American Civil Rights Movement. Recipient of the National Endowment for the Arts' first photography grant in 1967, he spent two years photographing a single block in East Harlem for his landmark project East 100th Street (1970). Renowned for his intimate, empathetic engagement with his subjects, Davidson produced further seminal bodies of work including Subway (1980) and Central Park (1991–1995), solidifying his legacy as one of the premier visual storytellers of modern American life.