Bunnell, Peter C. The Art of Pictorial Photography, 1890-1925 by Peter C. Bunnell.

Record of the Art Museum, Princeton University, Vol. 51, No. 2. [Pictorialism era photography by  Clarence H. White, Alfred Stieglitz, John G. Bullock, Autochromes by Clarence White (essay by Douglas R. Nickel), Paul Anderson, William B. Dyer, Robert S. Redfield, Eva Watson Schütze, Karl Struss, Mathilde Weil, Hans Watzek, Henry Troth, Augustus Thibaudeau, Edmund Stirling, Edward Steichen, George H. Seeley, Katherine Steward Stanbury, Mary Stanbury, Joseph T. Keiley, Heinrich Kuhn, Gertrude Käsebier, Frances  Benjamin Johnston, Lejaren à Hiller, Herbert Hess, Hugo Henneberg, Laura Gilpin, Paul Haviland, Adolph Fassbender, John Paul Edwards, Pierre Dubreuil, Herbert G. French, Baron Adolph de Meyer, F. Holland Day, Alvin Langdon Coburn, et al.]. Includes selections from the Clarence White Collection at the Art Museum, Princeton University. Back matter features list of works by Clarence White and others in the collection. Like new in wraps, as issued.  Fine. 115 pages.  Summary:

Published by the Princeton University Art Museum, Volume 51, No. 2 (1992) of the Record of the Art Museum, Princeton University is a dedicated issue titled The Art of Pictorial Photography, 1890–1925, guest-edited and authored primarily by Peter C. Bunnell.

Key Highlights of the Issue

• The publication serves as an in-depth scholarly catalogue centered around significant holdings of Pictorialist photography at Princeton, heavily featuring works by Clarence H. White alongside his contemporaries, circle, and students.

• It examines the late 19th- and early 20th-century international movement to establish photography as an expressive fine art akin to painting, highlighting poetic compositions, symbolic content, and handcrafted print qualities.

• The volume showcases essays and plates representing numerous seminal figures of the era—including Alfred Stieglitz, Gertrude Käsebier, Edward Steichen, Alvin Langdon Coburn, and rare examples of early color autochromes.