Bravo, Lola Alvarez. Elogio De La Fotografia: Lola Alvarez Bravo.

Programa Cultural de las Fronteras, 1985. Catalog for traveling exhibition that opened in Tijuana, Mexico, in February 1985 and continued at five other venues in Mexico and Texas. Essay, "Lola Alvarez Bravo: De Las Humildes Cosas," by Olivier Debroise (in Spanish), and five illustrations. Illustrated wraps, 12 pages. Fine. Summary:

Elogio de la fotografía: Lola Álvarez Bravo (In Praise of Photography: Lola Álvarez Bravo) is a 1985 traveling exhibition and publication organized by Mexico's Secretariat of Public Education (SEP), the National Institute of Fine Arts (INBA), and the Cultural Program of the Borders.

Overview & Highlights

• Exhibition Format: Launched on February 15, 1985, at the Centro Cultural de Las Fronteras in Tijuana, Mexico, before touring to five other venues across Mexico and Texas.

• Retrospective Scope: Displayed a survey of her work featuring 200 known photographs and 25 previously unpublished images.

• Catalog Details: Accompanied by a 12-page exhibition catalog containing an essay titled "Lola Álvarez Bravo: De Las Humildes Cosas" ("Of Humble Things") written by art critic and curator Olivier Debroise, along with illustrative plate reproductions.

Lola Álvarez Bravo (1903–1993) (born Dolores Concepción Martínez de Anda) was a Mexican photographer recognized as a central figure in Mexico's post-Revolutionary cultural renaissance. Introduced to photography in the 1920s by her husband, Manuel Álvarez Bravo, she established her own artistic path following their separation in 1934, becoming one of Mexico's first prominent female photojournalists. Over a multi-decade career, she worked across commercial, educational, and institutional photography, heading workshops at the National Autonomous University of Mexico (UNAM) and managing the Galería de Arte Contemporáneo, where she presented Frida Kahlo's only solo exhibition in Mexico during Kahlo's lifetime. Her personal portfolio spans candid street photography, modernist studies of light and pattern, and intimate portraits of iconic contemporary artists, solidifying her legacy as an influential 20th-century humanist photographer.