Moholy-Nagy, Laszlo. Creative Camera, February 1972. Laszlo Moholy-Nagy, et al.

Featuring George Gardener, Anders Petersen, Lazlo Moholy-Nagy, and Bob Mazzer. Entire issue, 32 pages. Texts by Alexey Brodovitch, Robert A. Sobieszek, Eric Stubbs, et al. Photographs by the four photographers. Very good with some rubbing and wear to covers. Summary:

Creative Camera (Number 92, February 1972) is a 32-page issue of the influential British photographic magazine edited by Colin Osman. During the 1970s, Creative Camera was a critical avant-garde platform that helped shift the medium away from commercial and camera-club orthodoxy toward serious documentary, conceptual, and fine-art photography.

Cover and Overview

• The Cover: Features a striking image by American photojournalist George W. Gardner, setting a gritty, socially conscious tone for the entire issue.

• The Content: The issue functions as a bridge between historical theory and raw, contemporary humanism, pairing foundational European modernist history with radical new documentary work from the United States, Sweden, and the United Kingdom.

Featured Photographers and Portfolios

The issue dedicates significant space to four distinct photographic portfolios:

• George W. Gardner: Features a powerful, self-edited photo essay documenting the Black United Front in Cairo, Illinois—a community severely torn by racial tension and white vigilante violence during the turn of the decade.

• Anders Petersen: Includes a seminal collection of raw, intimate black-and-white images from his groundbreaking series Café Lehmitz. Taken in a Hamburg bar frequented by sex workers, striptease artists, sailors, and marginalized figures, the portfolio highlights Petersen's intensely empathetic, participatory approach to documentary photography.

• László Moholy-Nagy: Offers a historical retrospective of the Hungarian Bauhaus master's avant-garde experiments. The feature highlights his pioneering work with photograms, extreme formal perspectives, and light manipulation, cementing his philosophy of photography as an extension of sight.

• Bob Mazzer: Showcases early work by the British social documentary photographer, bringing a sharp, gritty, and distinctively atmospheric lens to everyday counterculture and urban street life.

Text and Critical Essays

The text and review sections of the magazine are anchored by several notable writers and theorists:

• Alexey Brodovitch: A featured text exploring the creative life, struggles, and artistic integrity of commercial photographers.

• Robert A. Sobieszek:  Provides critical context and analysis examining the historical and evolving nature of the photographic medium.

• Eric Stubbs: Writer of essays and regular monthly columns analyzing recent international photo books, gallery exhibitions, and technical darkroom philosophy.