Pannaroma–MCCC. Photographs made with Thomas Roma's 1x3 panoramic camera.

Mercer County Community College, West Windsor, New Jersey, [2014]. Exhibition catalog, Sept. 2-25, 2014.   8.5 x 3.25 inches.  Oblong staple-bound in wraps.  35 photographs. Photographers: Thomas Roma; Inbal Abergil; Tony Chirinos; Michael Dalton; Lee Friedlander; Stephen Hilger; Yoav Horesh; Zsolt Kadar; Richard Labarbera; Jeffrey Ladd; Kai McBride; Claudio Nolasco; Animal Pella-Woo; Dennis Santella; Laura Mercik-Sellers; and Sasha Waters Freyer.  In 1986, Lee Friedlander had a Nikon F 35mm camera converted to a panoramic format.  Another was then built for Raghubir Singh and then 31 more were manufactured.  Two copies, both fine. One is signed by Michael Dalton under one of his photos and includes two pages of explanatory text.  (Dalton is now known as Michael Chovan-Dalton.) In the other copy, these two pages are blank.

Thomas Roma (born 1950) is an American photographer, author, and former director of the photography program at Columbia University, recognized for his deeply personal street photography and long-term visual studies of Brooklyn's civic and spiritual landscape. Born and raised in Brooklyn, New York, Roma emerged as a prominent figure in American photography during the late 20th century, utilizing hand-built view cameras and medium-format equipment to capture intimate, unvarnished portraits of urban life. Over his decades-long career, he produced 14 monographs, including Come Sunday (1996), an acclaimed study of African American churches in Brooklyn exhibited at the Museum of Modern Art, as well as Found in Brooklyn (1996), Sunset Park (1998), and Platons’ Dog (2016). A recipient of two Guggenheim Fellowships, Roma's work has been widely collected and exhibited by institutions such as MoMA, the Whitney Museum of American Art, and the Art Institute of Chicago. In 2018, Roma retired from his long-standing professorship at Columbia University.