Golden, Judith and Joanne Leonard. Photo/Trans/Forms. Judith Golden and Joanne Leonard. August 21 - October 11, 1981.

San Francisco Museum of Modern Art, 1981. Exhibit catalog with color photographs. [Judith Golden exhibited color portraits, including hand-colored self-portraits; Joanne Leonard exhibited her Night Sky series with hand-coloring.] Fine in wraps. 16 pages. Summary:

Photo/Trans/Forms: Judith Golden and Joanne Leonard is an exhibition catalog published by the San Francisco Museum of Modern Art (SFMOMA) to accompany a two-person exhibition that ran from August 21 through October 11, 1981. With a foreword by SFMOMA Assistant Curator Louise E. Katzman, the publication documents a pivotal moment in contemporary photography where both artists pushed the boundaries of the medium by blending photographic processes with hand-alteration and mixed-media techniques.

• Judith Golden's Hand-Colored Portraits: The catalog features Golden’s highly conceptual, color self-portraits, which investigate themes of female identity, gender roles, and popular media culture. By physically painting, drawing, and hand-coloring the surfaces of her photographs, Golden alters her own image to assume various media-driven personas, deconstructing how mass media shapes the female self.

• Joanne Leonard’s "Night Sky" Series: The publication showcases selections from Leonard’s evocative Night Skyseries. Using hand-applied coloring and collage elements over her photographs, Leonard captures deeply personal, dreamlike, and domestic scenes that evoke psychological landscapes and intimate, quiet nocturnal moods.

• The Theme of Transformation ("Trans/Forms"): The exhibition’s title highlights how both artists physically and conceptually transform the traditional "straight" photographic print. Rather than treating the camera's image as a final document, they utilize it as a canvas or armature, using hand-coloring and mixed-media overlays to explore personal mythologies, memory, and subjective experience.

• Curatorial Value: Despite its brief format, the catalog serves as an important historical record of feminist art practices and early 1980s photographic experimentation in California, documenting how Golden and Leonard successfully bridged the gap between fine art, hand-painting, and camera work.