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Gary Saretzky Photo Books

Finkel, Kenneth. Nineteenth-Century Photography in Philadelphia. 250 Historic Prints from The Library Company of Philadelphia by Kenneth Finkel.

Finkel, Kenneth. Nineteenth-Century Photography in Philadelphia. 250 Historic Prints from The Library Company of Philadelphia by Kenneth Finkel.

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Dover, 1980.   [Includes work by 40 pioneer photographers including Frederick DeBourg Richards, W. Curtis Taylor, Frederick Gutekunst, Marcus Aurelius Root, Eadweard Muybridge, John Moran, James E. McClees, William and Frederick Langenheim, James Cremer, Mongomery P. Simons, et al.] Stiff wraps (not issued in hardcover), very fine. Summary:

Nineteenth-Century Photography in Philadelphia: 250 Historic Prints from The Library Company of Philadelphia (published by Dover Publications in 1980) is a comprehensive historical and visual study compiled by Kenneth Finkel, the former Curator of Prints and Photographs at the Library Company of Philadelphia. The 226-page volume presents a curated selection of rare images that document both the physical transformation of the city and Philadelphia's foundational role in the birth of American photography.

Core Content & Historical Framework

1. The Crucible of American Photographic Innovation

The volume details how Philadelphia served as the primary epicenter for early photographic experimentation and commercial industry in the United States. Finkel traces the rapid technological evolution of the medium through the holdings of the Library Company, which began collecting these records as early as 1870. The text guides the reader through the succession of 19th-century processes, illustrating how the city's early experimenters advanced the chemistry and mechanics of daguerreotypes, talbotypes, ambrotypes, and albumen prints.

2. Archival Survey of Urban and Industrial Expansion

A major focus of the compilation is the meticulous documentation of Philadelphia's changing architectural landscape and expanding infrastructure. The 250 high-quality reproductions capture the city during a century of massive industrial growth and civic reorganization. The curated sections organize these visual records to showcase specific facets of urban life:

  • Architectural Landmarks: Detailed views of evolving residential styles, historic colonial structures, and the emergence of monumental Victorian civic architecture.

  • Commercial and Industrial Hubs: Portraits of bustling downtown street corners, early manufacturing plants, active shipyards, and interior views of local businesses.

  • The 1876 Centennial Exhibition: A rich visual record of the structures, crowds, and technological showcases that defined America's first official World's Fair.

3. Profiling the Pioneer Image-Makers

Beyond serving as a passive urban record, the catalog functions as a biographical and critical directory of the nation's earliest professional and amateur photographers. Finkel highlights the distinct visual styles, technical breakthroughs, and studio operations of defining Philadelphia figures. The volume contextualizes the work of pioneers such as Robert Cornelius, Marcus Aurelius Root, the Langenheim brothers, John Moran, and Frederick Gutekunst, mapping out how their competitive drive and technical precision established the standards for early American commercial and fine-art photography.

Nineteenth-Century Photography in Philadelphia remains a vital institutional and scholarly resource for urban historians and curators alike. By marrying pristine archival imagery with rigorous research, Finkel provides an unvarnished window into 19th-century life while validating these early chemical prints as indispensable primary documents central to the history of American visual culture.

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