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Gary Saretzky Photo Books

WEEGEE: Top Free-Lance Tells How He Does It. (In Photography Handbook No. 10 1942).

WEEGEE: Top Free-Lance Tells How He Does It. (In Photography Handbook No. 10 1942).

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Fawcett, 1942. Edited by Norman C. Lipton. Wraps, 146 pages. Includes color nude foldout. Pages age-toned and fragile, cover creased, loss at bottom of spine, which is partially detached. Features articles, “’Weegee’ Top Free-Lance Tells How He Does It” by Norman C. Lipton and “Birds in Flight” by Hugo H. Schroeder. Kodachrome cover photo by Paul Garrison. Chapters with multiple articles on For Better Pictures, Technique, Foto Projects, Build It Yourself, Photography in Brief, and Salon Section, including photographs by Stanley Rayfield, Jack Garber, Boris Dobro, F. Berko, H.S. Ulan, Andre de Dienes, William T. Hoff, David Darvas, Alexander Alland, Harry Menkin, Roy Pinney, and L.E. Roubian.  Lacks pages 32–36 in Salon Section with photos by William Mortensen, Marie Ross, Leo S. Pavell, and William Stahl. Summary:

The Photography Handbook No. 10, published by Fawcett in 1942, is a technical manual for enthusiasts that blends DIY ingenuity with professional grit. Its standout feature is a contribution by the legendary crime photographer Weegee(Arthur Fellig).

Key Highlights

  • Weegee’s  Article": This iconic article provides a raw, firsthand look at his methods for capturing New York’s underworld. He discusses his use of the Speed Graphic camera, the importance of "getting there first," and his philosophy on news photography.

  • Wartime DIY: Reflecting 1942’s material shortages, the book focuses heavily on building darkroom gear, such as homemade enlargers and lighting reflectors, from scrap materials.

  • Technical Workshops: Includes "Foto-hints" on flash synchronization, infrared photography, and specialized chemistry for developing film at home.

  • The Salon Portfolio: Features a gallery of "Pictorialist" works intended to inspire amateurs to move from snapshots to fine art.


Concise Summary

This volume is a quintessential wartime artifact that bridges the gap between practical craftsmanship and hard-boiled photojournalism. It is most notable for Weegee’s masterclass on "tabloid" style, teaching readers how to find drama and technical perfection in the dark streets of the city.

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